On the KSP2 team, production’s fingerprints are everywhere. The KSP 2 dev team celebrates a successful milestone Establishing or optimizing a workflow that lets your team’s talented artists, engineers, or designers do their job even better may not sound sexy, but the reality is that it results in a much better game - and that never really gets old.

Doing the job well requires strong communication, organization, multi-tasking, and leadership skills, along with a deep knowledge of the game you’re trying to make.Īs you can imagine, it’s a lot to manage across a game with the mind-boggling size and scale of Kerbal Space Program (I have incidentally come to understand flight director Kranz’s evident chain-smoking habit), but it’s also the most rewarding job I’ve ever had. We create and manage team processes, set goals and measure deliverables, coordinate cross-discipline efforts, prevent roadblocks, and do our best to keep everyone pointed in the same direction. The role of production in games is often tricky to define as it can vary from studio to studio and game to game, but it’s similar to that of a Product Owner or Project Manager in software development and other industries.Īt Intercept, we have a team of three terrific* producers – including Fernanda Diaz and Paige Ketcham – whose job it is to ensure that development is running smoothly. A game producer in their natural habitat. He works feverishly with the bright minds around him for clever solutions to unpredictable problems and to keep everyone focused on the important goals in front of them.

Kranz, spends the entirety of the film not in space, but on the ground, trying to keep on top of an ever-shifting situation. Instead, I found myself far more engrossed in another role – that of flight director Gene Kranz. I, of course, had long ago moved on from any dreams of being an astronaut myself (I blame my poor vision, but trigonometry was truly where I gave up the ghost). Every 90s kid wanted to go to Space Camp, become an astronaut, and fly on the Space Shuttle, and I was no different.īut a funny thing happened a couple of decades later when I watched the film again as an adult: I didn’t find myself associating with the astronauts. Naturally, I always imagined myself in the role of astronauts Jim Lovell, Fred Haise, and Jack Swigert. Hi, friends! I’m Nate Robinson, senior producer on the KSP2 team, and I watched a lot of Apollo 13 as a kid – to the point that I practically wore out our family’s VHS copy.

Kerbal space program game designers